My practice visualizes the ecologies we create and inhabit in the Anthropocene through surreal collaborations with nature. Combining elements of scientific investigation and material exploration, I make performative sculptures and installations that incorporate familiar objects interacting in unfamiliar ways to encourage viewers to question the framework of our everyday world. Experimental play transforms into thoughtful contemplation as I embed organic materials, such as teeth, brain coral, and sensitive plants, within a synthetic world of hand sanitizers, polystyrene, and the magenta glow of LED grow lamps to render the science fiction nature of our reality. More interested in the poetics of re-contextualization than representation, I obsessively collect, deconstruct, and recombine materials to create chimeras that reflect on the existential trauma of environmental anxiety. These ephemeral constructions allude to their impermanence and, by proxy, our own.

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Christopher Lin is a Brooklyn-based artist and educator with a background in research science. Fueled by a lifelong obsession with fossils, his experimental installations, sculptures, and performances question the world we inhabit and envision the one we will leave behind. Often collaborating with non-human organisms or wider ecologies, his time-based works synthesize elements of environmental ecology with meditative practices to explore the interconnected nature of living beings.

After receiving a BA from Yale University and an MFA from Hunter College, Lin was awarded the C12 Emerging Artist Fellowship in 2016. He has shown work and performed throughout New York City, including at: SVA Curatorial Practice, ABC No Rio, Recess Art, Flux Factory, Wave Hill, the United Nations, and the Queens Museum. He was a 2020 Bronx Museum AIM Emerging Artist Fellow and a 2022 Wave Hill Winter Workspace Artist-in-Residence. He currently teaches at Hunter College and Parsons, The New School and is co-director of the research-based artist collective, Sprechgesang Institute.